They were worshipped at the Museion of the famous library of Alexandria, from where the modern term “Museum” originates. It was only during the first century BC that each of the Muses began to be related to a specific art. The Muses were the daughters of Zeus and Mnemosyne and originally used to sing together with beautiful voices to the Gods in Olympus or provide divine inspiration to poets and the sibyls. They are now on display with their Baroque period names. Due to their lack of attributes, the original names of the other Muses cannot be identified. The muse who bears the portrait of Queen Cristina was converted into Melpomene although she was, in fact, Thalia, the muse of comedy, as is indicated by the mask of comedy which she holds Calliope was restored for no special reason as Urania. Only Terpsichore was correctly identified. The Muses were restored by Ercole Ferrata (1610-1686) who gave them new attributes and heads in accordance with the identification they were given at the time. They were later acquired by Philip V and reached the Palace of La Granja de San Ildefonso ( Segovia) in 1725. In about 1670, they were acquired by Queen Cristina of Sweden (1626-1689) and exhibited in her palace in Rome. 130 AD), by two Roman worshops, reproducing Greek models from the second century BC. They were made at the end of the reign of Emperor Hadrian (c. This marble statue and other seven more ( E000068, E000041, E000040, E000062, E000061, E000038, E000069) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the Academy Theatre or Odeon.
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